‘Glass’ is a film that will almost assuredly divide critics and general audiences – a growing trend among films in recent years, it seems. While I can’t speak to the overall genesis of this divide – well, I can speak to it, but this review is neither the time nor the place for that long-winded rhetoric – I can provide what my personal insight is for the, pardon the M. Night pun, cinematic split for ‘Glass.’
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